WEKO3
アイテム
日本の劇場運営におけるオペラ制作の課題
http://hdl.handle.net/10649/608
http://hdl.handle.net/10649/6083a4a2e9d-15ee-4202-8ec7-cf815cc9aeb2
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
K24_11.pdf (55.7 kB)
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| アイテムタイプ | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2011-02-15 | |||||
| タイトル | ||||||
| タイトル | 日本の劇場運営におけるオペラ制作の課題 | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | opera production | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | organization | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | co-production | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | new audience | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| 著者 |
石田, 麻子
× 石田, 麻子× 根木, 昭 |
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| 著者別名 | ||||||
| 識別子Scheme | WEKO | |||||
| 識別子 | 3468 | |||||
| 姓名 | ISHIDA, Asako | |||||
| 著者別名 | ||||||
| 識別子Scheme | WEKO | |||||
| 識別子 | 3469 | |||||
| 姓名 | NEKI, Akira | |||||
| 著者所属 | ||||||
| 値 | 昭和音楽大学:東京芸術大学 | |||||
| 著者所属 | ||||||
| 値 | 長岡技術科学大学経営情報系 | |||||
| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | The circumstances surrounding opera in Japan and abroad are changing dramatically in these days. The National Theatre, Tokyo opened in 1997, then the Biwako Hall in Shiga opened in 1998. These were constructed under the circumstances of the economy and the social situations that had been getting worse in Japan. The current issues of opera production now should be clarified and the cultural policy, subsidy, donation.also should be come into focus. So we investigated the organizations of five important theaters and two opera companies in Japan because we thought the research for the governance, management and roles of those organizations would be important for the future development of the theaters in Japan. And also for the near future, it would be much more significant matter to come up with the co-production system between theaters and opera companies, because it is difficult to solve the economic problems and to let them get the high quality of opera productions by themselves. In this paper, we would also mentioned about the increase for the new audience; young generation. | |||||
| 書誌情報 |
長岡技術科学大学研究報告 巻 24, p. 81-90, 発行日 2002-01-15 |
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| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 0388-5631 | |||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AN00177120 | |||||
| 著者版フラグ | ||||||
| 出版タイプ | VoR | |||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
| その他のタイトル | ||||||
| その他のタイトル | The current issues of opera production for the theater management in Japan | |||||
| 出版者 | ||||||
| 出版者 | 長岡技術科学大学 | |||||
